A SAMUEL FRENCH, INC. TITLE
Dead Man's Cell Phone
Full-Length Play, Dramatic Comedy / 4w, 2m
"Satire is her oxygen [...] In her new oddball comedy, Dead Man's Cell Phone,Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave." - The Washington Post
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Cast Size
4w, 2m -
Duration
120 minutes (2 hours) -
Subgenre
Romantic Comedy -
Target Audience
Adult
Details
Summary
An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man – with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative new comedy by MacArthur “Genius” Grant recipient and Pulitzer Prize finalist Sarah Ruhl. A work about how we memorialize the dead – and how that remembering changes us – it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.
History
DEAD MAN'S CELLPHONE was first presented at Wooly Mammoth Theatre Company in Washington D.C. in 2007. It was directed by Rebecca Taichman.
Cast Attributes
Performing Groups
- Time Period Contemporary
- Setting
Various locations. The present.
- Features Contemporary Costumes/Street Clothes
- Duration 120 minutes (2 hours)
- Cautions
- Strong Language
Media
"Satire is her oxygen. . . . In her new oddball comedy, Dead Man's Cell Phone, Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave." - The Washington Post
"Ruhl's zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in." - Variety
"[Ruhl] tackles big ideas with a voice that entertains" - NPR
"...beguiling new comedy...Ms. Ruhl's work blends the mundane and the metaphysical, the blunt and the obscure, the patently bizarre and the bizarrely moving." - New York Time
Music
- Musical Style N/A (Not a musical)
- Vocal DemandsN/A (Not a musical)
- Chorus Size N/A (Not a musical)
Licensing & Materials
- Minimum Fee: £70 per performance plus VAT when applicable.